Abraham Lincoln and Jefferson Davis were fascinating figures—precisely the kind of characters a novelist needs to carry a story. Both presidents had strong personalities, enormous drive, and inner confidence. They were also strikingly different people. Perfect for storytelling.
In Maelstrom, I strived to give Lincoln and Davis equal billing. I got the idea from the 1979 novel, Kane and Abel, by Jeffrey Archer. There are always two sides to a story, and Archer did a masterful job of alternating chapters between characters to present the alternative perspectives. The idea intrigued me, and I used it in Tempest at Dawn, my dramatization of the Constitutional Convention. Although it requires extensive preplanning of chapters, it is an excellent technique for presenting opposing views.
There are no more strident opposing views than in a civil war. In Maelstrom, I alternate chapters between Abraham Lincoln and Jefferson Davis, allowing the two narratives to show how each dealt with the same issues, countered the other’s moves, led their respective governments, and used their political powers to sway the outcome. Maelstrom is the entire Civil War told exclusively from the points of view of Lincoln and Davis.
Maelstrom tells the story of the greatest rivalry in American history. A rivalry that sustained the Union, settled the unfinished legal aspects of the Constitution, and radically advanced the horror of war.
Two willful presidents squared off against each other. In truth, neither survived.
But the nation endured … and grew stronger.

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